The Effects Of Postpartum Depression In The Yellow Wallpaper

Charlotte Perkins Gilman’s â€Å"The Yellow Wallpaper†, is a short story, published in the late 1800s, about one woman’s descent to madness. Finding herself plagued with postpartum depression after the birth of her son, the narrator’s ailment is overlooked by everyone around her. Her husband, â€Å"...a physician of high standing..† (Gilman) describes the narrator’s illness as â€Å"temporary nervous depression...a slight hysterical tendency.† Her brother and male doctor, also agree with this diagnosis and because so, the narrator is forced to go through a rather peculiar treatment plan that was commonly practiced on women who were considered hysterical during that time period. Considered a societal norm this treatment plan, created by the dominate male,†¦show more content†¦In the beginning of her loggings, the narrator explains that she disagrees with her husband, brother and doctor’s idea of treatment, and states, â €Å"Personally, I believe that congenial work, with excitement and change, would do me good,† (Gilman). She follows this statement with the question, â€Å"But what is one to do?† Clearly influenced by male oppression and ideals of women, the narrator herself believes that she is unable to follow her own wishes to better her health and overall state of mind. Her only rebellion is in the form of her writing---a creative outlet that is unwanted by her husband as it is a mental stimulation and considered work. Though she is in fear of being caught, she still writes. She believes that it would be easier to stop, so that she doesn’t have to be go Sanchez 3 through drastic lengths to hide it. She explains her husband doesn’t allow her to do anything without â€Å"special instruction.† She is not even allowed to pick her own room, and instead is instructed to sleep in a â€Å"nursery at the top of the house†. This nursery room comes fully equipped with barred windows and a bedstead that is nailed to the floor. It is also in this bedroom that she is met with the infamous yellow wallpaper. Paula A. Treichler, of the University of Illinois, explains that the yellow wallpaper, â€Å"... represent(s) (among other things) the ‘pattern’ which underliesShow MoreRelatedYellow: The Color of Postpartum Depression854 Words   |  3 PagesWomen have long felt the emotional, psychological and physical effects of child bearing. Before modern medicine, these mental struggles were said to be nothing more than nervousness. In The Yellow Wallpaper a short story by Charlotte Perkins Gillman, the narrator is a young woman who has recently given birth, during the late 19th century. After giving birth she has fallen victim of postpartum depression. When a woman becomes pregnant her body immediately starts to produce hormones in excess. TheseRead MoreThe Impact Of Postpartum Depression In The Yellow Wallpaper1215 Words   |  5 Pagesthe current time period. For instance, in â€Å"The Yellow Wal lpaper† by Charlotte Gilman the story deals with the issue of postpartum depression in new mothers. While postpartum depression is still a very real and current topic in today’s society. Current society handles the issue differently than when the â€Å"The Yellow Wallpaper† was written. The difference in modern day and past society is contributed to the increasing knowledge of postpartum depression that has led to a new view for society, improvedRead MoreYellow Wallpaper and Postpartum Depression711 Words   |  3 PagesPostpartum Depression In the short story. The Yellow Wallpaper written by Charlotte Perkins Gilman, we are introduced to a woman, the narrator, who suffers from postpartum depression, a disorder in women that results from childbirth. This disorder can have serious effects on the individual and may result in extreme behaviors such as suicide. (Mahoney 1) The narrator of the story is symbolic of Gilman, as she had experienced this illness after the birth of her daughter. (Gilman 181) PostpartumRead MoreEffects of the Lack of Power and Control in Female Patients700 Words   |  3 PagesEffects of the Lack of Power and Control in Female Patients In the late 19th century, many women were diagnosed with insanity, dementia, and other mental disorders. Although a large portion of these diagnoses were accurate, many of the female patients were mishandled and given the wrong prescriptions. Some treatments included locking patients in an empty room and forcing them to take medicine that either had no effect, or exacerbated the situation. â€Å"The Yellow Wallpaper,† by Charlotte Perkins GilmanRead MoreThe Yellow Wallpaper, By Charlotte Perkins Gilman Essay1525 Words   |  7 PagesPostpartum depression has the following symptoms: paranoia, hallucination, and sleep troubles. However, back when the â€Å"The Yellow Wallpaper† was written by Charlotte Perkins Gilman in the late nineteenth century postpartum had a different name which was insanity of pregnancy/ lactation. During the story the narrator notices a woman in the wallpaper and starts to think someone is on the other side. As soon as that happens the hallucinat ions start and the narrator s imagination starts to wander. WhenRead MoreThe Struggle For Sanity By Charlotte Perkins Gilman1528 Words   |  7 Pages The Struggle for Sanity The Narrator, Charlotte Perkins Gilman’s Short Story, â€Å"The Yellow Wallpaper† has been one of the most scrutinized pieces of literature. Critics have analyzed it from various perspectives including feminist, anti-feminist, psychological to clinical. Some even claim the narrator’s work as an early feminist indictment of Victorian patriarchy. The Yellow Wallpaper is a short story about the narrator’s life experience afflicted with a depressive episode since adolescenceRead MoreThe Yellow Wallpaper, By Katherine Perkins Gilman And Ms. Brill1206 Words   |  5 Pagesthat most affect people. Loneliness is about feeling disconnected from the rest of the world. Being isolated have a negative impact on society, but it will also have a negative impact on the person being isolated. The two short stories, â€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman and â€Å"Ms. Brill† by Katherine Mansfield focuses on the way two women experience loneliness, isolation, and social expectation in their society. Social expectations may hold back women from achieving their fullest potentialRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman846 Words   |  4 PagesHumans are flawed individuals. Although flaws can be bad, people learn and grow from the mistakes made. Charlotte Perkins Gilman’s short story, â€Å"The Yellow Wallpaper†, gives one a true look at using flaws to help one grow. Gilman gives her readerâ€℠¢s a glimpse into what her life would have consisted of for a period of time in her life. Women were of little importance other than to clean the house and to reproduce. This story intertwines the reality of what the lives of woman who were considered toRead MoreAnalysis Of The Yellow Wallpaper By Charlotte Perkins1246 Words   |  5 Pages Women were trapped as the roles of wife and mother. In â€Å"The Yellow Wallpaper,† Charlotte Perkins gives us jane, the main character who suffers from nervous depression. Jane’s husband John, has instructed that she must stay on the top room of the house. This treatment starts to make her mad, and starts to go crazy being locked up by herself. â€Å"The Yellow Wallpaper talks about the society of women and illness. â€Å"The Yellow Wallpaper,† talks about a woman named Jane, who just moved into a new houseRead MoreCritical Analysis Of The Yellow Wallpaper1496 Words   |  6 Pagesbeen beaten, verbally abused, and taught to believe they have no purpose in life other than pleasing a man. Charlotte Perkins Gillam uses her short story, The Yellow Wallpaper as a weapon to help break down the walls surrounding women, society has put up. This story depicts the life of a young woman struggling with postpartum depression, whose serious illness is overlooked, by her physician husband, because of her gender. Gillman s writing expresses the feelings of isolation, disregarded, and

Cosmetic Surgery on Teenagers - 1077 Words

Teenagers and Comsetic Surgery Joyce Jenkins Com 150 May 30, 2010 Angela Robles Teenagers and Cosmetic Surgery In our society today, what our bodies look like is a big money making thing. Therefore, being a teenager and have plenty of money brings us to having cosmetic surgery done to our beautiful bodies. The three factors that teens should consider when getting cosmetic surgery are peer pressure, the credentials and reputation of the doctor and finally the cost. The peer pressure that teenagers face in today society is very hardcore subject for them to deal with. The teenagers in high school see their classmate’s styles and the high price fashions. The cars they drive to school and the expense jewels. They see their best†¦show more content†¦There are teens getting cosmetic surgery at a young age and their body is not completely developed. I had did some research on the human body, the human body is fully developed around the age of 25. Although teen make up 2 percent of cosmetic surgery patients in the United States, these have increased, according to the American Society of Plastic (ASPS). The number procedures performed on kids to 19 nearly doubled to 244,124 (including about 47,000 nose jobs and 9,000 breast augmentations) from 2002 to 2006. The finally cost of these procedures is very expensive to the insurance companies. The price scale begins at 2,000 dollars to 100’of thousand of dollars. Most people cannot afford to have these surgeries done. Teenager go looking for a doctor who just want to make money and no questions ask after they perform the surgery and they disappear from the areas in matter of few months. The insurance companies out of the money and the parents cannot fine the doctor. The law enforcement have to investigate the complaints and look for the doctor to turn up some else. The FBI get involved and the search continue the United States and foreign countries too. The teenagers still try to have surgery done and look for other way to get the money and doctors to do the surgeries. The peer pressures are still there and will always be there for them to face and deal with in every day manner. In this busy society, there will always be another doctor to continue toShow MoreRelatedTeenagers and Cosmetic Surgery1573 Words   |  6 Pagesmany teenagers. As a result, teenagers from all around the world who are insecure concerning their appearances are more likely to have cosmetic surgery to blend in, to avoid peer harassments, and to stop further inner torments. Keep in mind that plastic surgery and cosmetic surgery are different even though both surgeries are used to fix someone’s physical body. Plastic surgery are used to mend looks that are ruined due to terrible accidents, and is pay by insurance, while cosmetic surgery are usedRead MoreTeenagers and Cosmetic Surgery2278 Words   |  10 PagesSince the year 2007, 1,339,229 cosmetic surgeries have been performed on the age group of 13-19. In a world where people are judged by their physical appearance, it is common for teenagers to be uncomfortable with their bodies. As a way of conforming to society’s image of physical perfection, more and more teenagers are turning to cosmetic surgery as a solution. The purpose for this paper is to make the problems of teenagers having cosmetic surgery, in order to physically change themselves toRead MoreCosmetic Surgery : Plastic Surgery And Teenagers2046 Words   |  9 PagesAccording to â€Å"Plastic Surgery Teenagers†, â€Å"teenagers who want to have plastic surgery usually have different motivations and goals than adults† (â€Å"Plastic Surgery For Teenagers Briefing Paper†). Thus, meaning that most young adults get cosmetic surgery, which is the reshaping of body parts to improve their physical characteristics. However, changing your physical appearance just because you want to or do not feel pretty enough should not be the case of spending all that money and time on a non-maturedRead MoreCosmetic Surgery on Teenagers Essay902 Words   |  4 Pages1. In the first two texts there are numerous views concerning adolescent cosmetic surgery. Among these views are, for example, Diana Zuckerman, president of the National Research Center for Women and Families, whom are mentioned in both texts. As she is quoted in the second text , Seeking Self-Esteem Through Surgery, an article by Camille Sweeney, posted on New York Times website, January 15 anno 2009, â€Å"They may not be any happier with their new look, then what?†. Said quote depicts quite wellRead MoreShould Teenagers Undergo Elective Cosmetic Surgery?1865 Words   |  8 Pagesâ€Å"Plastic surgery is an option for everyone, but it is never a necessity†. As confirmed by many surgeons in the field of cosmetic based procedures, most of the patients seeking purely beauty care see enhancing their physical appearance as the only, or at least the best, fix for the destructive problems they face, such as harassment or personal insecurities. These thoughts are especially e xpected in minors, therefore the question is, should teenagers be allowed to undergo elective cosmetic surgery forRead MoreTeenagers Should Never Have Cosmetic Surgery Essay1555 Words   |  7 PagesTeenagers Should Never Have Cosmetic Surgery In 2012, over 236,000 teenagers from the ages of 13-19 years old, went under the syringe to have a cosmetic procedure done (Gilbert, Web). Teenagers should never be able to have cosmetic surgeries because of the harmful effects the procedures have. Teenage minds and bodies are not fully developed until they are in their early twenties. Therefore, doctors are unable to fully comprehend the risks these procedures will have on the teenagers, since theirRead MorePlastic Surgery Should Be Banned For Teenagers 18943 Words   |  4 Pagesreconstruct or repair body parts for cosmetic reasons in a procedure called plastic surgery. It was not long before teenagers 18 years of age and younger noticed the potential benefits of receiving these surgeries, such as fixing misconstrued facial features, or even taking away some unwanted fat. In 2012 there were 130,502 cosmetic procedures performed on teenagers below the age of 19 (Singh). There has been an increase of interest in teenagers for cosmet ic surgery and the most common procedures doneRead MoreAnalysis Of The Article Teens Under The Knife By Kaitlyn Ali And Tiffany Lam1351 Words   |  6 PagesIn the article entitled Teens Under the Knife written by Kaitlyn Ali and Tiffany Lam readers are informed on the possible risks that are exposed to teens who have cosmetic surgery. Ali and Lam state, There are many risks in plastic surgery, such as permanent numbness, infections, blood clots, and even death (par. 9). The developing bodies of teens are still changing which could lead to altering the effects or future displacement of the surgical procedure. The article states, Because teens Read MoreEffect Of Plastic Surgery On Teenagers1370 Words   |  6 Pagesregular routine of cosmetic surgery, as the procedure began, her body temperature started rocketing abnormally high and the heart rate went out of levels. Right then, having to take extra precautions, the clinic flew her out to a hospital, later pronouncing that she ha d fallen into coma and soon after, passed away (Rivero 1). This mistake had sparked an outrage all over the world, not only because an innocent human being had died but it was a source that started it all, plastic surgery. Therefore showingRead MoreTeenagers and the Plastic Surgery Epidemic Essay1090 Words   |  5 Pagesan overwhelming number of American teenagers choose to alter their body in order to fit the unrealistic standard of physical attractiveness created by our beauty-obsessed culture. Teens feel an immense amount of pressure to look â€Å"beautiful† from the media, peers and even parents. Teenagers are going to extreme lengths to reach this physical perfection, but when it comes down to it, just how far is too far? The numbers of teens going through with plastic surgery is startling and will continue to rise

The Amber Spyglass Chapter 21 The Harpies Free Essays

string(54) " their lashes free of the drops that settled on them\." Lyra and Will each awoke with a heavy dread: it was like being a condemned prisoner on the morning fixed for the execution. Tialys and Salmakia were attending to their dragonflies, bringing them moths lassoed near the anbaric lamp over the oil drum outside, flies cut from spiderwebs, and water in a tin plate. When she saw the expression on Lyra’s face and the way that Pantalaimon, mouse-formed, was pressing himself close to her breast, the Lady Salmakia left what she was doing to come and speak with her. We will write a custom essay sample on The Amber Spyglass Chapter 21 The Harpies or any similar topic only for you Order Now Will, meanwhile, left the hut to walk about outside. â€Å"You can still decide differently,† said Salmakia. â€Å"No, we can’t. We decided already,† said Lyra, stubborn and fearful at once. â€Å"And if we don’t come back?† â€Å"You don’t have to come,† Lyra pointed out. â€Å"We’re not going to abandon you.† â€Å"Then what if you don’t come back?† â€Å"We shall have died doing something important.† Lyra was silent. She hadn’t really looked at the Lady before; but she could see her very clearly now, in the smoky light of the naphtha lamp, standing on the table just an arm’s length away. Her face was calm and kindly, not beautiful, not pretty, but the very sort of face you would be glad to see if you were ill or unhappy or frightened. Her voice was low and expressive, with a current of laughter and happiness under the clear surface. In all the life she could remember, Lyra had never been read to in bed; no one had told her stories or sung nursery rhymes with her before kissing her and putting out the light. But she suddenly thought now that if ever there was a voice that would lap you in safety and warm you with love, it would be a voice like the Lady Salmakia’s, and she felt a wish in her heart to have a child of her own, to lull and soothe and sing to, one day, in a voice like that. â€Å"Well,† Lyra said, and found her throat choked, so she swallowed and shrugged. â€Å"We’ll see,† said the Lady, and turned back. Once they had eaten their thin, dry bread and drunk their bitter tea, which was all the people had to offer them, they thanked their hosts, took their rucksacks, and set off through the shanty town for the lakeshore. Lyra looked around for her death, and sure enough, there he was, walking politely a little way ahead; but he didn’t want to come closer, though he kept looking back to see if they were following. The day was overhung with a gloomy mist. It was more like dusk than daylight, and wraiths and streamers of the fog rose dismally from puddles in the road, or clung like forlorn lovers to the anbaric cables overhead. They saw no people, and few deaths, but the dragonflies skimmed through the damp air, as if they were sewing it all together with invisible threads, and it was a delight to the eyes to watch their bright colors flashing back and forth. Before long they had reached the edge of the settlement and made their way beside a sluggish stream through bare-twigged scrubby bushes. Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will’s foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it. â€Å"It would be merciful to kill it,† said Tialys. â€Å"How do you know?† said Lyra. â€Å"It might still like being alive, in spite of everything.† â€Å"If we killed it, we’d be taking it with us,† said Will. â€Å"It wants to stay here. I’ve killed enough living things. Even a filthy stagnant pool might be better than being dead.† â€Å"But if it’s in pain?† said Tialys. â€Å"If it could tell us, we’d know. But since it can’t, I’m not going to kill it. That would be considering our feelings rather than the toad’s.† They moved on. Before long the changing sound their footsteps made told them that there was an openness nearby, although the mist was even thicker. Pantalaimon was a lemur, with the biggest eyes he could manage, clinging to Lyra’s shoulder, pressing himself into her fog-pearled hair, peering all around and seeing no more than she did. And still he was trembling and trembling. Suddenly they all heard a little wave breaking. It was quiet, but it was very close by. The dragonflies returned with their riders to the children, and Pantalaimon crept into Lyra’s breast as she and Will moved closer together, treading carefully along the slimy path. And then they were at the shore. The oily, scummy water lay still in front of them, an occasional ripple breaking languidly on the pebbles. The path turned to the left, and a little way along, more like a thickening of the mist than a solid object, a wooden jetty stood crazily out over the water. The piles were decayed and the planks were green with slime, and there was nothing else; nothing beyond it; the path ended where the jetty began, and where the jetty ended, the mist began. Lyra’s death, having guided them there, bowed to her and stepped into the fog, vanishing before she could ask him what to do next. â€Å"Listen,† said Will. There was a slow, repetitive sound out on the invisible water: a creak of wood and a quiet, regular splash. Will put his hand on the knife at his belt and moved forward carefully onto the rotting planks. Lyra followed close behind. The dragonflies perched on the two weed-covered mooring posts, looking like heraldic guardians, and the children stood at the end of the jetty, pressing their open eyes against the mist, and having to brush their lashes free of the drops that settled on them. You read "The Amber Spyglass Chapter 21 The Harpies" in category "Essay examples" The only sound was that slow creak and splash that was getting closer and closer. â€Å"Don’t let’s go!† Pantalaimon whispered. â€Å"Got to,† Lyra whispered back. She looked at Will. His face was set hard and grim and eager: he wouldn’t turn aside. And the Gallivespians, Tialys on Will’s shoulder, Salmakia on Lyra’s, were calm and watchful. The dragonflies’ wings were pearled with mist, like cobwebs, and from time to time they’d beat them quickly to clear them, because the drops must make them heavy, Lyra thought. She hoped there would be food for them in the land of the dead. Then suddenly there was the boat. It was an ancient rowboat, battered, patched, rotting; and the figure rowing it was aged beyond age, huddled in a robe of sacking bound with string, crippled and bent, his bony hands crooked permanently around the oar handles, and his moist, pale eyes sunk deep among folds and wrinkles of gray skin. He let go of an oar and reached his crooked hand up to the iron ring set in the post at the corner of the jetty. With the other hand he moved the oar to bring the boat right up against the planks. There was no need to speak. Will got in first, and then Lyra came forward to step down, too. But the boatman held up his hand. â€Å"Not him,† he said in a harsh whisper. â€Å"Not who?† â€Å"Not him.† He extended a yellow-gray finger, pointing directly at Pantalaimon, whose red-brown stoat form immediately became ermine white. â€Å"But he is me!† Lyra said. â€Å"If you come, he must stay.† â€Å"But we can’t! We’d die!† â€Å"Isn’t that what you want?† And then for the first time Lyra truly realized what she was doing. This was the real consequence. She stood aghast, trembling, and clutched her dear daemon so tightly that he whimpered in pain. â€Å"They†¦Ã¢â‚¬  said Lyra helplessly, then stopped: it wasn’t fair to point out that the other three didn’t have to give anything up. Will was watching her anxiously. She looked all around, at the lake, at the jetty, at the rough path, the stagnant puddles, the dead and sodden bushes†¦ Her Pan, alone here: how could he live without her? He was shaking inside her shirt, against her bare flesh, his fur needing her warmth. Impossible! Never! â€Å"He must stay here if you are to come,† the boatman said again. The Lady Salmakia flicked the rein, and her dragonfly skimmed away from Lyra’s shoulder to land on the gunwale of the boat, where Tialys joined her. They said something to the boatman. Lyra watched as a condemned prisoner watches the stir at the back of the courtroom that might be a messenger with a pardon. The boatman bent to listen and then shook his head. â€Å"No,† he said. â€Å"If she comes, he has to stay.† Will said, â€Å"That’s not right. We don’t have to leave part of ourselves behind. Why should Lyra?† â€Å"Oh, but you do,† said the boatman. â€Å"It’s her misfortune that she can see and talk to the part she must leave. You will not know until you are on the water, and then it will be too late. But you all have to leave that part of yourselves here. There is no passage to the land of the dead for such as him.† No, Lyra thought, and Pantalaimon thought with her: We didn’t go through Bolvangar for this, no; how will we ever find each other again? And she looked back again at the foul and dismal shore, so bleak and blasted with disease and poison, and thought of her dear Pan waiting there alone, her heart’s companion, watching her disappear into the mist, and she fell into a storm of weeping. Her passionate sobs didn’t echo, because the mist muffled them, but all along the shore in innumerable ponds and shallows, in wretched broken tree stumps, the damaged creatures that lurked there heard her full-hearted cry and drew themselves a little closer to the ground, afraid of such passion. â€Å"If he could come – † cried Will, desperate to end her grief, but the boatman shook his head. â€Å"He can come in the boat, but if he does, the boat stays here,† he said. â€Å"But how will she find him again?† â€Å"I don’t know.† â€Å"When we leave, will we come back this way?† â€Å"Leave?† â€Å"We’re going to come back. We’re going to the land of the dead and we are going to come back.† â€Å"Not this way.† â€Å"Then some other way, but we will!† â€Å"I have taken millions, and none came back.† â€Å"Then we shall be the first. We’ll find our way out. And since we’re going to do that, be kind, boatman, be compassionate, let her take her daemon!† â€Å"No,† he said, and shook his ancient head. â€Å"It’s not a rule you can break. It’s a law like this one†¦Ã¢â‚¬  He leaned over the side and cupped a handful of water, and then tilted his hand so it ran out again. â€Å"The law that makes the water fall back into the lake, it’s a law like that. I can’t tilt my hand and make the water fly upward. No more can I take her daemon to the land of the dead. Whether or not she comes, he must stay.† Lyra could see nothing: her face was buried in Pantalaimon’s cat fur. But Will saw Tialys dismount from his dragonfly and prepare to spring at the boatman, and he half-agreed with the spy’s intention; but the old man had seen him, and turned his ancient head to say: â€Å"How many ages do you think I’ve been ferrying people to the land of the dead? D’you think if anything could hurt me, it wouldn’t have happened already? D’you think the people I take come with me gladly? They struggle and cry, they try to bribe me, they threaten and fight; nothing works. You can’t hurt me, sting as you will. Better comfort the child; she’s coming; take no notice of me.† Will could hardly watch. Lyra was doing the cruelest thing she had ever done, hating herself, hating the deed, suffering for Pan and with Pan and because of Pan; trying to put him down on the cold path, disengaging his cat claws from her clothes, weeping, weeping. Will closed his ears: the sound was too unhappy to bear. Time after time she pushed her daemon away, and still he cried and tried to cling. She could turn back. She could say no, this is a bad idea, we mustn’t do it. She could be true to the heart-deep, life-deep bond linking her to Pantalaimon, she could put that first, she could push the rest out of her mind – But she couldn’t. â€Å"Pan, no one’s done this before,† she whispered shiveringly, â€Å"but Will says we’re coming back and I swear, Pan, I love you, I swear we’re coming back – I will – take care, my dear – you’ll be safe – we will come back, and if I have to spend every minute of my life finding you again, I will, I won’t stop, I won’t rest, I won’t – oh, Pan – dear Pan – I’ve got to, I’ve got to†¦Ã¢â‚¬  And she pushed him away, so that he crouched bitter and cold and frightened on the muddy ground. What animal he was now, Will could hardly tell. He seemed to be so young, a cub, a puppy, something helpless and beaten, a creature so sunk in misery that it was more misery than creature. His eyes never left Lyra’s face, and Will could see her making herself not look away, not avoid the guilt, and he admired her honesty and her courage at the same time as he was wrenched with the shock of their parting. There were so many vivid currents of feeling between them that the very air felt electric to him. And Pantalaimon didn’t ask why, because he knew; and he didn’t ask whether Lyra loved Roger more than him, because he knew the true answer to that, too. And he knew that if he spoke, she wouldn’t be able to resist; so the daemon held himself quiet so as not to distress the human who was abandoning him, and now they were both pretending that it wouldn’t hurt, it wouldn’t be long before they were together again, it was all for the best. But Will knew that the little girl was tearing her heart out of her breast. Then she stepped down into the boat. She was so light that it barely rocked at all. She sat beside Will, and her eyes never left Pantalaimon, who stood trembling at the shore end of the jetty; but as the boatman let go of the iron ring and swung his oars out to pull the boat away, the little dog daemon trotted helplessly out to the very end, his claws clicking softly on the soft planks, and stood watching, just watching, as the boat drew away and the jetty faded and vanished in the mist. Then Lyra gave a cry so passionate that even in that muffled, mist-hung world it raised an echo, but of course it wasn’t an echo, it was the other part of her crying in turn from the land of the living as Lyra moved away into the land of the dead. â€Å"My heart, Will†¦Ã¢â‚¬  she groaned, and clung to him, her wet face contorted with pain. And thus the prophecy that the Master of Jordan College had made to the Librarian, that Lyra would make a great betrayal and it would hurt her terribly, was fulfilled. But Will, too, found an agony building inside him, and through the pain he saw that the two Gallivespians, clinging together just as he and Lyra were doing, were moved by the same anguish. Part of it was physical. It felt as if an iron hand had gripped his heart and was pulling it out between his ribs, so that he pressed his hands to the place and vainly tried to hold it in. It was far deeper and far worse than the pain of losing his fingers. But it was mental, too: something secret and private was being dragged into the open, where it had no wish to be, and Will was nearly overcome by a mixture of pain and shame and fear and self-reproach, because he himself had caused it. And it was worse than that. It was as if he’d said, â€Å"No, don’t kill me, I’m frightened; kill my mother instead; she doesn’t matter, I don’t love her,† and as if she’d heard him say it, and pretended she hadn’t so as to spare his feelings, and offered herself in his place anyway because of her love for him. He felt as bad as that. There was nothing worse to feel. So Will knew that all those things were part of having a daemon, and that whatever his daemon was, she, too, was left behind, with Pantalaimon, on that poisoned and desolate shore. The thought came to Will and Lyra at the same moment, and they exchanged a tear-filled glance. And for the second time in their lives, but not the last, each of them saw their own expression on the other’s face. Only the boatman and the dragonflies seemed indifferent to the journey they were making. The great insects were fully alive and bright with beauty even in the clinging mist, shaking their filmy wings to dislodge the moisture; and the old man in his sacking robe leaned forward and back, forward and back, bracing his bare feet against the slime-puddled floor. The journey lasted longer than Lyra wanted to measure. Though part of her was raw with anguish, imagining Pantalaimon abandoned on the shore, another part was adjusting to the pain, measuring her own strength, curious to see what would happen and where they would land. Will’s arm was strong around her, but he, too, was looking ahead, trying to peer through the wet gray gloom and to hear anything other than the dank splash of the oars. And presently something did change: a cliff or an island lay ahead of them. They heard the enclosing of the sound before they saw the mist darken. The boatman pulled on one oar to turn the boat a little to the left. â€Å"Where are we?† said the voice of the Chevalier Tialys, small but strong as ever, though there was a harsh edge to it, as if he, too, had been suffering pain. â€Å"Near the island,† said the boatman. â€Å"Another five minutes, we’ll be at the landing stage.† â€Å"What island?† said Will. He found his own voice strained, too, so tight it hardly seemed his. â€Å"The gate to the land of the dead is on this island,† said the boatman. â€Å"Everyone comes here, kings, queens, murderers, poets, children; everyone comes this way, and none come back.† â€Å"We shall come back,† whispered Lyra fiercely. He said nothing, but his ancient eyes were full of pity. As they moved closer, they could see branches of cypress and yew hanging down low over the water, dark green, dense, and gloomy. The land rose steeply, and the trees grew so thickly that hardly a ferret could slip between them, and at that thought Lyra gave a little half-hiccup-half-sob, for Pan would have shown her how well he could do it; but not now, maybe not ever again. â€Å"Are we dead now?† Will said to the boatman. â€Å"Makes no difference,† he said. â€Å"There’s some that came here never believing they were dead. They insisted all the way that they were alive, it was a mistake, someone would have to pay; made no difference. There’s others who longed to be dead when they were alive, poor souls; lives full of pain or misery; killed themselves for a chance of a blessed rest, and found that nothing had changed except for the worse, and this time there was no escape; you can’t make yourself alive again. And there’s been others so frail and sickly, little infants, sometimes, that they’re scarcely born into the living before they come down to the dead. I’ve rowed this boat with a little crying baby on my lap many, many times, that never knew the difference between up there and down here. And old folk, too, the rich ones are the worst, snarling and savage and cursing me, railing and screaming: what did I think I was? Hadn’t they gathered and s aved all the gold they could garner? Wouldn’t I take some now, to put them back ashore? They’d have the law on me, they had powerful friends, they knew the Pope and the king of this and the duke of that, they were in a position to see I was punished and chastised†¦ But they knew what the truth was in the end: the only position they were in was in my boat going to the land of the dead, and as for those kings and Popes, they’d be in here, too, in their turn, sooner than they wanted. I let ’em cry and rave; they can’t hurt me; they fall silent in the end.† â€Å"So if you don’t know whether you’re dead or not, and the little girl swears blind she’ll come out again to the living, I say nothing to contradict you. What you are, you’ll know soon enough.† All the time he had been steadily rowing along the shore, and now he shipped the oars, slipping the handles down inside the boat and reaching out to his right for the first wooden post that rose out of the lake. He pulled the boat alongside the narrow wharf and held it still for them. Lyra didn’t want to get out: as long as she was near the boat, then Pantalaimon would be able to think of her properly, because that was how he last saw her, but when she moved away from it, he wouldn’t know how to picture her anymore. So she hesitated, but the dragonflies flew up, and Will got out, pale and clutching his chest; so she had to as well. â€Å"Thank you,† she said to the boatman. â€Å"When you go back, if you see my daemon, tell him I love him the best of everything in the land of the living or the dead, and I swear I’ll come back to him, even if no one’s ever done it before, I swear I will.† â€Å"Yes, I’ll tell him that,† said the old boatman. He pushed off, and the sound of his slow oar strokes faded away in the mist. The Gallivespians flew back, having gone a little way, and perched on the children’s shoulders as before, she on Lyra, he on Will. So they stood, the travelers, at the edge of the land of the dead. Ahead of them there was nothing but mist, though they could see from the darkening of it that a great wall rose in front of them. Lyra shivered. She felt as if her skin had turned into lace and the damp and bitter air could flow in and out of her ribs, scaldingly cold on the raw wound where Pantalaimon had been. Still, she thought, Roger must have felt like that as he plunged down the mountainside, trying to cling to her desperate fingers. They stood still and listened. The only sound was an endless drip-drip-drip of water from the leaves, and as they looked up, they felt one or two drops splash coldly on their cheeks. â€Å"Can’t stay here,† said Lyra. They moved off the wharf, keeping close together, and made their way to the wall. Gigantic stone blocks, green with ancient slime, rose higher into the mist than they could see. And now that they were closer, they could hear the sound of cries behind it, though whether they were human voices crying was impossible to tell: high, mournful shrieks and wails that hung in the air like the drifting filaments of a jellyfish, causing pain wherever they touched. â€Å"There’s a door,† said Will in a hoarse, strained voice. It was a battered wooden postern under a slab of stone. Before Will could lift his hand and open it, one of those high, harsh cries sounded very close by, jarring their ears and frightening them horribly. Immediately the Gallivespians darted into the air, the dragonflies like little warhorses eager for battle. But the thing that flew down swept them aside with a brutal blow from her wing, and then settled heavily on a ledge just above the children’s heads. Tialys and Salmakia gathered themselves and soothed their shaken mounts. The thing was a great bird the size of a vulture, with the face and breasts of a woman. Will had seen pictures of creatures like her, and the word harpy came to mind as soon as he saw her clearly. Her face was smooth and unwrinkled, but aged beyond even the age of the witches: she had seen thousands of years pass, and the cruelty and misery of all of them had formed the hateful expression on her features. But as the travelers saw her more clearly, she became even more repulsive. Her eye sockets were clotted with filthy slime, and the redness of her lips was caked and crusted as if she had vomited ancient blood again and again. Her matted, filthy black hair hung down to her shoulders; her jagged claws gripped the stone fiercely; her powerful dark wings were folded along her back; and a drift of putrescent stink wafted from her every time she moved. Will and Lyra, both of them sick and full of pain, tried to stand upright and face her. â€Å"But you are alive!† the harpy said, her harsh voice mocking them. Will found himself hating and fearing her more than any human being he had ever known. â€Å"Who are you?† said Lyra, who was just as repelled as Will. For answer the harpy screamed. She opened her mouth and directed a jet of noise right in their faces, so that their heads rang and they nearly fell backward. Will clutched at Lyra and they both clung together as the scream turned into wild, mocking peals of laughter, which were answered by other harpy voices in the fog along the shore. The jeering, hate-filled sound reminded Will of the merciless cruelty of children in a playground, but there were no teachers here to regulate things, no one to appeal to, nowhere to hide. He set his hand on the knife at his belt and looked her in the eyes, though his head was ringing and the sheer power of her scream had made him dizzy. â€Å"If you’re trying to stop us,† he said, â€Å"then you’d better be ready to fight as well as scream. Because we’re going through that door.† The harpy’s sickening red mouth moved again, but this time it was to purse her lips into a mock kiss. Then she said, â€Å"Your mother is alone. We shall send her nightmares. We shall scream at her in her sleep!† Will didn’t move, because out of the corner of his eye, he could see the Lady Salmakia moving delicately along the branch where the harpy was perching. Her dragonfly, wings quivering, was being held by Tialys on the ground, and then two things happened: the Lady leapt at the harpy and spun around to dig her spur deep into the creature’s scaly leg, and Tialys launched the dragonfly upward. In less than a second Salmakia had spun away and leapt off the branch, directly onto the back of her electric blue steed and up into the air. The effect on the harpy was immediate. Another scream shattered the silence, much louder than before, and she beat her dark wings so hard that Will and Lyra both felt the wind and staggered. But she clung to the stone with her claws, and her face was suffused with dark red anger, and her hair stood out from her head like a crest of serpents. Will tugged at Lyra’s hand, and they both tried to run toward the door, but the harpy launched herself at them in a fury and only pulled up from the dive when Will turned, thrusting Lyra behind him and holding up the knife. The Gallivespians were on her at once, darting close at her face and then darting away again, unable to get in a blow but distracting her so that she beat her wings clumsily and half-fell onto the ground. Lyra called out, â€Å"Tialys! Salmakia! Stop, stop!† The spies reined back their dragonflies and skimmed high over the children’s heads. Other dark forms were clustering in the fog, and the jeering screams of a hundred more harpies sounded from farther along the shore. The first one was shaking her wings, shaking her hair, stretching each leg in turn, and flexing her claws. She was unhurt, and that was what Lyra had noticed. The Gallivespians hovered and then dived back toward Lyra, who was holding out both hands for them to land on. Salmakia realized what Lyra had meant, and said to Tialys: â€Å"She’s right. We can’t hurt her, for some reason.† Lyra said, â€Å"Lady, what’s your name?† The harpy shook her wings wide, and the travelers nearly fainted from the hideous smells of corruption and decay that wafted from her. â€Å"No-Name!† she cried. â€Å"What do you want with us?† said Lyra. â€Å"What can you give me?† â€Å"We could tell you where we’ve been, and maybe you’d be interested, I don’t know. We saw all kinds of strange things on the way here.† â€Å"Oh, and you’re offering to tell me a story?† â€Å"If you’d like.† â€Å"Maybe I would. And what then?† â€Å"You might let us go in through that door and find the ghost we’ve come here to look for; I hope you would, anyway. If you’d be so kind.† â€Å"Try, then,† said No-Name. And even in her sickness and pain, Lyra felt that she’d just been dealt the ace of trumps. â€Å"Oh, be careful,† whispered Salmakia, but Lyra’s mind was already racing ahead through the story she’d told the night before, shaping and cutting and improving and adding: parents dead; family treasure; shipwreck; escape†¦ â€Å"Well,† she said, settling into her storytelling frame of mind, â€Å"it began when I was a baby, really. My father and mother were the Duke and Duchess of Abingdon, you see, and they were as rich as anything. My father was one of the king’s advisers, and the king himself used to come and stay, oh, all the time. They’d go hunting in our forest. The house there, where I was born, it was the biggest house in the whole south of England. It was called – â€Å" Without even a cry of warning, the harpy launched herself at Lyra, claws outstretched. Lyra just had time to duck, but still one of the claws caught her scalp and tore out a clump of hair. â€Å"Liar! Liar!† the harpy was screaming. â€Å"Liar!† She flew around again, aiming directly for Lyra’s face; but Will took out the knife and threw himself in the way. No-Name swerved out of reach just in time, and Will hustled Lyra over toward the door, because she was numb with shock and half-blinded by the blood running down her face. Where the Gallivespians were, Will had no idea, but the harpy was flying at them again and screaming and screaming in rage and hatred: â€Å"Liar! Liar! Liar!† And it sounded as if her voice were coming from everywhere, and the word echoed back from the great wall in the fog, muffled and changed, so that she seemed to be screaming Lyra’s name, so that Lyra and liar were one and the same thing. Will had the girl pressed against his chest, with his shoulder curved over to protect her, and he felt her shaking and sobbing against him; but then he thrust the knife into the rotten wood of the door and cut out the lock with a quick slash of the blade. Then he and Lyra, with the spies beside them on their darting dragonflies, tumbled through into the realm of the ghosts as the harpy’s cry was doubled and redoubled by others on the foggy shore behind them. How to cite The Amber Spyglass Chapter 21 The Harpies, Essay examples

How to Choose a Career Essay Sample free essay sample

# 1 Choosing a calling is simpleActually. taking a calling is an involved procedure and you should give it the clip it deserves. Career planning is a multi-step procedure that involves larning adequate about yourself and the businesss which you are sing in order to do an informed determination. More: Choosing a Career: The Career Planning Procedure # 2 A calling counsellor can state me what business to pickA calling counsellor. or any other calling development professional. can’t Tell you what calling is best for you. He or she can supply you with counsel in taking a calling and can assist ease your determination. More: Get Career Advice From a Pro # 3 I can’t do a life from my avocationSaies who? When taking a calling. it makes perfect sense to take one that is related to what you enjoy making in your trim clip. if you so desire. In add-on people tend to go really skilled in their avocations. even though most of the accomplishment is gained informally. More: Make Your Hobby Work for You # 4 I should take a calling from a â€Å"Best Careers† listEvery twelvemonth. particularly during milestone old ages. i. e. the beginning of a new decennary. there are legion articles and books that list what â€Å"the experts† predict will be â€Å"hot occupations. † It can’t hurt to look at those lists to see if any of the callings on it appeal to you. but you shouldn’t utilize the list to order your pick. While the anticipations are frequently based on valid informations. sometimes things alteration. Way excessively frequently what is hot this twelvemonth won’t be hot a few old ages from now. In add-on. you need to take into history your involvements. values. and accomplishments when taking a calling. Merely because the mentality for an business is good. it doesn’t mean that business is right for you. More: 10 Reasons Not to Trust on Best Careers Lists # 5 Making a batch of money will do me happyWhile salary is of import. it isn’t the lone factor you should look at when taking a calling. Countless studies have shown that money doesn’t needfully lead to occupation satisfaction. For many people basking what they do at work is much more of import. However. you should see net incomes. among other things. when measuring an business. More: Salary Surveies # 6 Once I choose a calling I’ll be stuck in it everlastinglyNot true. If you are unsated in your calling for any ground. you can ever alter it. You’ll be in good company. Many people change callings several times over the class of their life-times. # 7 If I change callings my accomplishments will travel to blow Your accomplishments are yours to maintain. You can take them from one occupation to another. You may non utilize them in the exact same manner. but they won’t travel to blow. More: Movable Skills# 8 If my best friend ( or sister. uncle. or neighbour ) is happy in a peculiar field. I will be excessively Everyone is different and what works for one individual won’t needfully work for another. even if that other individual is person with whom you have a batch in common. If person you know has a calling that involvements you. look into it. but be cognizant of the fact that it may non needfully be a good tantrum for you. # 9 All I have to make is pick an occupation†¦ Things will fall into topographic point after that Choosing an calling is a great start. but there’s a batch more to make after that. A Career Action Plan is a route map that takes you from taking a calling to going employed in that business to make your long-run calling ends. More: Career Action Pl ans # 10 There’s really small I can make to larn about an business without really working in it While first manus experience is great. there are other ways to research an business. You can read about it either in print resources or online. You can besides interview those working in that field. More: Exploring Occupations Choosing the Right Course and School in College Introduction: Choosing the right class and school in college is one of the most of import stairss in every student’s life. This prepares us in our hereafter. our chosen callings. etc. This is one of the hardest portion of a student’s life particularly when he/she is non certain of what she/he wants to be someday or he/she does non cognize what he/she loves to make. Many pupils strive difficult to be the best that they can be and college is at that place to assist them be the best of who they are. but the job is. what college and class would truly convey the best in them? College is a merriment and exciting clip in a person’s life. Even though you will be on your ain. run intoing new people. traveling to parties. and sing new things. it is of import to maintain a grip on what college is truly approximately. It is about taking the right college classs so that the terminal consequence will be obtaining your coveted grade. It is non every bit easy as it may look. taking the right college classs. but there are some things you can make to do it a simpler procedure. Factors to See In Choosing the Right School: There are several standards to see when choosing the right topographic point to pass some of the most of import old ages of your life. College old ages are arguably the best of your life and which university you go to makes a great difference. Choose with attention and have fun! Degree Course If you know which field you want to specialise in. travel someplace where you can concentrate on your major from the first twelvemonth and travel to a school that specializes your class. If you are open about what you want to make. choose for a school with a wide based attack ; these require pupils to take categories in a broad scope of topics foremost. supplying a all-around instruction. School Reputation and Faculty Strength The school’s repute should be good. When you graduated. the name of your school is besides a large aid in your chosen calling. Some of the employers tend to engage employees who came from a good school and sometimes those who came from a popular school. Check superior tabular arraies that provide both an overall appraisal of the university and specialist countries of strength. Type and Location All colleges are different in many ways. Do you prefer individual sex or coed. a spiritual association or layman in kernel? Does an urban campus life excite you or would a little town environment in the countryside be more toothsome? The options are about illimitable so be clear on what’s of import to you. You must see a school that has a clean environment. free from offenses. friendly atmosphere and the similar. This helps you prosecute your surveies even more. Distance from Home For some. the full experience of university life and campus life is attained from being far off from place. Your chosen college must be near your house to avoid tardily. offenses etc. Fiscal Considerations You must be practical presents. Choose a school that your parents can afford. Undergraduate instruction can set a strain on your fiscal resources. Check if your school awards scholarships. bursaries. pupil grants. or university adversity financess. If you think you can acquire a scholarship. why non seek a parttime occupation? It will assist you decrease the outgos in your chosen school. Activities and Events Don’t neglect the countries outside academe. If you are a athleticss partisan. see a topographic point with a tradition of featuring accomplishments. If you love the out-of-doorss a campus in a natural scene provides chances for hikings. If you are a theatre fan caput someplace bombinating with humanistic disciplines and theatre plans. This will assist you heighten your accomplishments even more. Industry Internship Job fond regards provide pupils with relevant work experience and professional development. Check with your prospective school for good quality internship plans that give you an penetration and practical experience of the industry. And inquire what sort of support they provide in assisting pupils unafraid internships. University Culture If you can. see the school and let clip to talk to other pupils. eat in the dining hall. sit in on categories and dad into the pupils brotherhood. See if the civilization suits you and if you fit in as a portion of the community. There needs to be lucifer and a sense of belonging or you could be in for a suffering college life. Other Degree Options If your fiscal or household fortunes do non let for a full clip university instruction. believe about parttime classs or distance instruction larning plans or correspondence survey. Given the benefits of an on-line grade and the proliferation of e-learning classs by several reputable universities. this is an option you may wish to earnestly see. Take Time Off There is no haste to travel to university. Many pupils take a twelvemonth off to work. go and/or make voluntary work. and their experiences do them to go better pupils. more motivated and focussed. Such experiences add Factors to See In Choosing the Right Course Simply answer a few inquiries. What do you desire to be in the hereafter? Or how do you see yourself at least five old ages from now? If you can reply these questions without 2nd ideas. so likely you do non hold a job at all. However. if you are hesitating or unsure with yourself. so you’ve got to repair your head foremost. If you still can’t do a clear image of yourself in the close hereafter. seek this 2nd option. Since you are trap in uncertainness. why don’t you go measure yourself? Precisely. you merely have to measure some of your accomplishments or disposition. If there excessively many things that run through your head. seek paring the list into three so it’ll be easier for you to make up ones mind which of your preferable classs you will be taking. Everything may non travel harmonizing to your outlooks at first. but you merely have to love your class so you won’t travel switching from one class to another. If you love what you’re mak ing. it’ll decidedly conveying out the best in you. Stairss in Choosing the Right Course Measure 1:Think of what are the things that you are good at and name them down. Are you good in music. English or math? Are you a great leader ; are you good at humanistic disciplines or composing? If you can’t happen something you are good at. don’t concern merely list anything you ordinary do like make you compose verse forms. make you dance do you cognize how to cook? Measure 2:Now think about something you love to make. Something you enjoy making even if you are non good at it. There are developing available so don’t worry if you haven’t developed your accomplishments yet. That is what college is for-to train you. Measure 3:Now think of what you are willing to make for the remainder of your calling life. It is traveling to be a 5 yearss occupation for most callings. so you don’t want to stop up acquiring stuck making what you hate. Measure 4:Now before doing your concluding determination. expression for classified ads and research about what sort of occupations you can hold. This is of import. You need to do certain that one time you are done in school you are certain that there will be occupation available for you. With The recession traveling right now. happening a occupation is non easy. Measure 5:Not done yet. Research how much wage they offer for the calling that involvement you. and believe if that is something you can populate with. Measure 6:Still confound what college class to take? Talk to a counsellor. There are besides test you can take to find what sort of calling is best for you. But at the terminal it should still be you who is suppose to do the determination. Problems you might meet in College life Choosing a University is merriment. exciting and a serious. But somehow you may believe of the jobs that you might meet in college life. Nowadays. the jobs of about all the pupils are going from place to school. traffics. inundations. transit. out of minutess. conditions. etc. But you should take advantages for you to maintain away from these jobs. like waking up early in the forenoon. Some of the jobs are unexpected. but you need to be prepared like: ever bring umbrella for the rain. We can see classs as one of the jobs in college life. Like how to do your classs every bit high as possible. How to keep your classs. how to be a good pupil. how to be a good retainer. and how to be a good leader. In college life this is the chance for every pupil to be on their manner or what professions they fit. This is the chance to go a Businessman. Architect. Engineer. Doctor. Nurse. Computer engineer and etc. Your endowment must suit your class. Pressure. this is one of the jobs of every pupil. Pressure is different from other jobs because it can mensurate how responsible plenty you are to complete your behaviors inside your school. But you don’t necessitate to panic. the lone solution for that is finish it before the deadline comes. And take note that every job has solutions. Thinking stairss are besides helpful to you to believe twice before you do it. It means to make up ones mind what is good and what will be the great thought. Many pupils study in a good school. but how about the pupils analyzing at the low schools? . The job that they have is Financial Problem many pupils can’t make the tuition fee because it is high and non afford to pay every bit rapidly as they can. Possibly they lived in a hapless topographic point. Possibly their parent couldn’t get high wage like gaining 14. 000 pesos a month. And possibly the grounds why these people can’t earn money because they are lack of cognition about concern. Figure out your options. When something unexpected dads up. most people want to cognize the solution right off. Take a minute. nevertheless. to research all of your options. What are your options if the state of affairs doesn’t alteration? What are your options if the state of affairs changes a small but doesn’t travel back to how things were? What are your options if the state of affairs resolves itself? Knowing your options in all three scenarios can assist you calculate out what to make next in add-on to taking the emphasis of the unknown. Prioritize and inquire for aid every bit much as possible. Reorganizing your precedences when the unexpected arises can be a great manner to experience more in control of your state of affairs and to acquire a better grip on things. Having an unexpected unwellness. fiscal state of affairs. or household issue frequently means that things will necessitate to be rearranged in your life. even if merely temporarily. Spend a few quiet pr oceedingss with yourself and prioritise the things in your life in a manner that still provides you with what you need without adding extra — and unneeded — emphasis. Decision: We therefore conclude that. choosing classs and schools Mentions: hypertext transfer protocol: //universities. suite101. com/hypertext transfer protocol: //whatcollegedegree. com/ Read more: hypertext transfer protocol: //www. candymag. com/teentalk/index. php/topic. 192973. 0. hypertext markup language? PHPSESSID=dfbd6208f5usgvcccc03lbueq4 # ixzz2LM82f1Qg